Readers in the San Francisco Bay area should note there’s a new stage show currently playing at the Berkeley Rep Theatre. It’s profiled in the NYTimes, though the focus is on the fact that its producer is Garth Drabinsky – a name we Canadians know and note less for his lavish productions than for the criminal activities of his production company! That said, his productions were always of excellent quality, and seeing as how Stephen Foster’s music is heavily used, this would be a must-see for me.
“It’s about two brutalized peoples, Irish and African-American, one fleeing famine, and one fleeing slavery, who meet in the Five Points, and, for a brief moment, change the flow of American history, until America catches up with it,” Mr. Kirwan said. “It’s not kumbaya, but it happened, and that’s what’s hopeful about it.”
It has a score that is at once familiar and new: rearranged and re-lyricized songs of Stephen Foster, the 19th-century composer celebrated for his contributions to early American pop music but criticized for his work on minstrel shows. Foster spent the final months of his life in the Five Points neighborhood, and is a prominent and problematic character in the show — talented but often untruthful, ambitious but often intoxicated.