Shadows of History Exhibit

Civil War buffs in Washington, DC have another month and a half to partake in the Corcoran Gallery’s Shadows of History exhibition.

The photographs capture a wide range of subjects, from geographical views, landscapes, and portraits of soldiers and officers at rest, to the death and destruction in the aftermath of battles. Photographs by George Barnard, Issac H. Bonsall, Mathew Brady, Alexander Gardner, James F. Gibson, Frederick F. Gutekunst, Timothy H. O’Sullivan, Andrew J. Russell, D. B. Woodbury, and others, are included. A special emphasis of the collection is rare imagery of African American regiments and their underappreciated role in the war.

That’s quite the roll call of photographers, and the Colored Troops shots would be fascinating. I think I’ve seen the same 5 USCT photos a hundred times!

http://www.corcoran.org/shadows_history/index.php

Civilians During Wartime

“Free Jazz” is a phrase that doesn’t much stir my enthusiasm, and I admit I’m not quite sure what to make of this, but it’s an interesting news item to note, and besides – I’m sure there are readers for whom “Free Jazz” inspires the same kind of heart-throbs that “fluffy kittens” or “Tecumseh Sherman” do for me. (I’m a girl of varied tastes, what can I say? If they ever uncover a tintype of Sherman holding fluffy kittens I might shatter every window in Toronto with my high pitched squealing.)

The six new compositions in this concert give voice to the thoughts and feelings of the mothers, brothers, civilian spies, and runaway slaves all living in the war but rarely seeing the battle field. The tone of these compositions reflects the anxieties and fears of a population living in an unforeseeable future.

Jazz pianist Dave Burrell, with violin accompaniment, presents a Civil War-themed programme commissioned by the Rosenbach Museum & Library. The link below has the entire hour-plus performance embedded if, well, y’know… “Fluffy kittens”.

http://www.rosenbach.org/learn/artists/projects/civilians-during-wartime

Prison Sketchbook

Another artifact donation in the news, though unlike the Jim Lane portrait, this one was probably a wrench to give away. A Danville museum was just given a sketchbook belonging to a POW, which contains some excellently rendered landscape scenes and portraits of his fellow prisoners.

http://www.wtvr.com/news/wdbj7-civil-war-sketchbook-returns-to-danville-20120201,0,1236021.story

The Hunley – Photo Gallery

National Geographic offers a small photo gallery of the newly restored and displayed Hunley. If you’ve read any of the previous Hunley posts, you’ve probably seen most of these pictures, but the first is pretty revealing: The fully “restored” (it looks extra crumbly) sub with a restorer or museum staffer next to it. It’s bad enough to think about what the Hunley crews went through, but to have suffocated after spending hours trapped in that claustrophobic tin can makes it all the worse.

http://news.nationalgeographic.com/news/2012/01/pictures/120131-hunley-civil-war-first-submarine-science-nation/#/civil-war-submarine-revealed-hunley-side_48007_600x450.jpg

Voices from the Days of Slavery

The most depressing thing about the current economic crisis is that governments are tackling the crisis through austerity measures and cutbacks. When you see websites like this one, you’re reminded of what was accomplished when the WPA assigned the country odd jobs (in a literal sense) and gifted its results upon later generations.

The ethnomusicology work performed by the Federal Music Project has fascinated me since my University days; I was a history student working at a late, lamented, legendary record store to pay my tuition. Unlike my much cooler coworkers I was more than happy to cover shifts in the Folk section, where I had access to all the Smithsonian Folkways CDs and very few customers to complain if I played them.

The CDs I listened to were preserved music, but I knew of the interviews’ existence. Thank goodness for the Internet; an easily-accessed repository for these chronicles out of time. I’ve listened to Fountain Hughes’ interview already – it was excerpted in the Ken Burns series – and I can’t wait to get at some of the others. I mean, how’s this for a teaser?

I got my name from President Jeff Davis. He was president of the Southern Confederacy. He owned my grandfather and my father. Brought them from Richmond, Virginia.

Voices from the Days of Slavery – Library of Congress http://memory.loc.gov/ammem/collections/voices/

Artillery Exhibit

Not sure this would be worth a trip – hunks of metal all tend to look the same after a while – but it’s neat to read about.
They were the messengers of death in America’s bloodiest war: special rifle ammunition that caused mayhem on Civil War battlegrounds, artillery shells designed to blow ironclads out of the water and early mines and napalm.

They are one display in a new exhibit at the Charleston Museum in the city historians say has been bombarded more than any place in the Western Hemisphere.

As part of the sesquicentennial of the war that started in nearby Charleston Harbor and saw the city bombarded by Union shells for 567 days, the museum is mounting the exhibit “Blasted: Assorted Projectiles and Explosives of the Civil War.”

http://www.washingtonpost.com/lifestyle/travel/messengers-of-death-sc-exhibit-displays-some-rarely-seen-civil-war-ammunition/2012/01/17/gIQAFb5S6P_story.html

Prison Camp Artist

Another one of those out-of-nowhere serendipitous museum stories that warm the cockles of my nerdy, bookish heart:

For years, the Danville Museum of Fine Arts and History hoped to display a piece of work by Henry VanderWeyde, an artist turned Union prisoner of war who spent a year behind bars in Danville.

“We had a copy of one called ‘Morning Toilette’. We were planning to use as part of our permanent Civil War Exhibit,” said Patsi Compton, the education coordinator for the museum.

But copyright issues prevented them from displaying his art. But last Thursday, Bob Mann arrived at the Museum with a sketchbook and the donation: page after page of sketches by VanderWeyde.

“His Grandfather came into possession of the sketchbook and he is not exactly sure how,” said Compton.

“His visit sort of came out of the blue,” said C.B. Maddox, visitor services coordinator.

Museum Relevance

The Associate Press discusses how Civil War museums are struggling to modernise their collections under tremendous budgetary strain.

“One of the interesting things is that the [Ken Burns] series did in the North was it really provided a sense of ownership of the Civil War, which had been since 1865 the province of the South,” Burns said. “We ceded the interest generally to the South, which is unusual, because it’s usually the winners who write the history, not the losers.”

But he notes museums that may have once been shrines to one side or another are adapting new kinds of displays exploring the war from new angles.

“I think a lot of that is changing and getting more centered on the war and not a distorted idea of it,” Burns said. “Basically museums have started to interpret a more holistic look of the war.”

http://www.usatoday.com/news/nation/story/2012-01-08/civil-war-museums/52456006/1